Ghost

Sam Wheat (Patrick Swayze) and Molly Jensen (Demi Moore) are a happy and loving couple living in New York City. The only problem in their relationship is Sam's apparent discomfort with saying "I love you" to his girlfriend, only responding to her saying it with "ditto". This bothers Molly, who feels she needs to hear him say "I love you" in return.

One night, while walking back to their new apartment after going to the theatre, they encounter a thief named Willy Lopez (Rick Aviles). He pulls a gun and Sam is shot. Sam chases Willy, but loses him; when he returns to Molly, he sees her cradling his own corpse, and realizes that he is now a ghost, trapped between worlds. Lights descend to take him away, but he flees.

Sam realizes that the robbery was planned when Willy sneaks into the house and rifles through his belongings. Sam follows Willy home and learns that his close friend and co-worker, Carl Bruner (Tony Goldwyn), hired Willy to rob Sam in order to get his office computer password; Carl is involved in a money laundering deal at the bank where he and Sam worked. Sam had recently changed his computer password, locking Carl out of the phony accounts where Carl had stashed the money. Sam lashes out in frustration at his supposed best friend, but realizes that, as a ghost, he can do little.

Sam fears that Molly is in danger but is helpless, unable to communicate with her in his spiritual form. As fate has it, however, he encounters Oda Mae Brown (Whoopi Goldberg), a con artist posing as a medium who ironically discovers (through hearing Sam say that her business is a "crock of shit") that she really does have her family's power to hear ghosts, though she cannot see them. Seeing her as his only hope of communicating with Molly, Sam endlessly pesters Oda Mae until she eventually gives in and agrees to help him.

Oda Mae reluctantly calls Molly and tells her she is communicating with Sam, but Molly is understandably skeptical. Molly is convinced only when Oda Mae tells her several private things that only Sam could know, most importantly Sam's use of the word "ditto".

Sam encounters a troubled ghost (Vincent Schiavelli) haunting the Subway, who teaches him how to touch and move objects by focusing his emotions on his intended target. He also learns that Oda Mae is now being plagued by ghosts coming from as far away as New Jersey to speak to their living relatives. One briefly possesses her, but it is seen that this greatly saps a ghost's energy. He promises that she will no longer be bothered if she helps him.

Meanwhile, Molly visits the police, having become quite skeptical of Oda Mae's claims. The desk sergeant assures her that she's right to be suspicious, as there's no file on any 'Willy Lopez' — but there is an amazingly large file on Oda Mae Brown, who is well-known to local police as a huckster and small-time fraud.

Sam and Oda Mae move to thwart Carl's plan. Carl had stolen $4 million and put it in a fraudulent account. Under Sam's instructions, Oda Mae poses as 'Rita Miller' — the name on the account - to withdraw the money, and grudgingly gives the large cheque to two nuns collecting for charity. Carl panics when he realises the account has been closed, and is tormented by Sam, who, invisible, behaves like a poltergeist and types the word "MURDERER" on his computer.

Carl traces the missing money and ends up at Molly's door, asking about Oda Mae. Molly slips and reveals that Oda Mae was Rita Miller, and that she knows about the secret 'slush fund' that Carl has been frantically trying to access. Carl realizes that Sam's ghost is present and tells him he will be back to kill Molly if he doesn't get the money back. Sam runs off to warn Oda Mae, but Willy arrives soon after. Oda Mae and her sisters escape as Sam terrorizes Willy, prompting Willy to run out into the street in a panic. Willy is hit by a truck, but only realises he is dead when he sees his own corpse. As he does so, the shadows around him rise from the ground and take the shape of demons, which drag him into darkness as his screams echoes away .

Molly is still unsure about Oda Mae, but she is convinced after Oda Mae slides a penny under the door and Sam uses his powers to place the penny in Molly's hand (earlier, we see that Sam and Molly save pennies "for luck"). Sam then uses Oda Mae's body to share a passionate moment with Molly, but an outraged Carl storms in and threatens to kill Molly and Oda Mae if he does not get his money. Sam is forcefully ejected from Oda Mae's body and tries to stop Carl, but, as seen before, the possession has left him drained.

Molly and Oda Mae escape to a loft above the apartment, with Carl in pursuit. He tries desperately to catch up with the women and finally gets to Oda Mae, pulling out a gun. Molly comes to Oda Mae's defense, but Carl overpowers her and he takes her hostage instead. Sam's energy is restored and he forces Carl to throw the gun away, enabling Molly to escape unharmed. Fighting in vain to stop Sam's attacks, Carl foolishly swings a hanging hook at him. The hook passes through Sam's ghostly body, swings back and shatters an open window, which falls and kills Carl while he is trying to escape. Sam expresses regret as the demons take Carl's terrified spirit away.

When Sam returns to Oda Mae and Molly, Molly can see and hear him, as he has assumed a partly visible form. After saying a final goodbye to Oda Mae, he shares a final kiss with Molly and tells her he loves her, to which she responds with "ditto". Sam then walks off into the bright light to heaven.

Casablanca

Rick Blaine (Humphrey Bogart) is a bitter, cynical American expatriate in Casablanca. He owns and runs "Rick's Café Américain", an upscale nightclub and gambling den that attracts a mixed clientèle of Vichy French and Nazi officials, refugees and thieves. Although Rick professes to be neutral in all matters, it is later revealed that he had run guns to Ethiopia to combat the 1935 Italian invasion, and fought on the Republican side in the Spanish Civil War against Francisco Franco's Nationalists.

Ugarte (Peter Lorre), a petty criminal, arrives in Rick's club with "letters of transit" obtained through the murder of two German couriers. The papers allow the bearer to travel freely around German-controlled Europe and to neutral Portugal, and from there to America. The letters are almost priceless to any of the continual stream of refugees who end up stranded in Casablanca. Ugarte plans to make his fortune by selling them to the highest bidder, who is due to arrive at the club later that night. However, before the exchange can take place, Ugarte is arrested by the local police, under the command of Captain Louis Renault (Claude Rains), a corrupt opportunist who says of himself, "I have no convictions ... I blow with the wind, and the prevailing wind happens to be from Vichy." Unbeknownst to Renault and the Nazis, Ugarte had entrusted the letters to Rick because "... somehow, just because you despise me, you are the only one I trust."

At this point, the reason for Rick's bitterness re-enters his life. His ex-lover Ilsa Lund (Ingrid Bergman) arrives with her husband Victor Laszlo (Paul Henreid), a fugitive Czech Resistance leader long sought by the Nazis. The couple need the letters to leave Casablanca to "reach America and continue [his] work." German Major Strasser (Conrad Veidt) arrives to ensure that Laszlo does not succeed.

When Laszlo speaks with Signor Ferrari (Sydney Greenstreet), a major figure in the criminal underworld and Rick's business rival, Ferrari divulges his suspicion that Rick has the letters. Laszlo meets with Rick privately, but Rick refuses to part with the documents, telling Laszlo to ask his wife for the reason. They are interrupted when a group of Nazi officers led by Strasser begins to sing "Die Wacht am Rhein", a German patriotic song. In response, Laszlo tells the house band to play "La Marseillaise", the French national anthem. The band looks to Rick for permission, and he nods his head. Laszlo starts singing, alone at first, then long-suppressed patriotic fervor grips the crowd and everyone joins in, drowning out the Germans. In retaliation, Strasser orders Renault to close the club.
From left to right: Victor Laszlo, Ilsa Lund, Captain Renault and Rick Blaine

That night, Ilsa confronts Rick in the deserted cafe. When he refuses to give her the letters, she threatens him with a gun, but is unable to shoot, confessing that she still loves him. She explains that when she first met and fell in love with him in Paris, she believed that her husband had been killed trying to escape from a Nazi concentration camp. Later, with the German army on the verge of capturing the city, she learned that Laszlo was in fact alive and in hiding. She left Rick without explanation to tend to an ill Laszlo.

With the revelation, Rick's bitterness dissolves and the lovers are reconciled. Rick agrees to help, leading her to believe that she will stay behind with him when Laszlo leaves. When Laszlo unexpectedly shows up, after having narrowly escaped a police raid on a Resistance meeting, Rick has Ilsa hide while the two men talk.

Laszlo reveals that he is aware of Rick's love for Ilsa and tries to get Rick to use the letters to take her to safety. However, the police arrive and arrest Laszlo on a petty charge. Rick convinces Renault to release Laszlo by promising to set him up for a much more serious crime: possession of the letters of transit. To allay Renault's suspicions about his motives, Rick explains that he and Ilsa will be leaving for America.

However, when Renault tries to arrest Laszlo for accepting the letters, Rick double crosses Renault, forcing him at gunpoint to assist in the escape. At the last moment, Rick makes Ilsa board the plane to Lisbon with her husband, telling her that she would regret it if she stayed, "Maybe not today, maybe not tomorrow, but soon and for the rest of your life."

Major Strasser drives up by himself, having been tipped off by Renault, but Rick shoots him when he tries to intervene. When police reinforcements arrive, Renault pauses, then tells his men to "Round up the usual suspects." Once alone, Renault suggests that he and Rick leave Casablanca and join the Free French at Brazzaville. They walk off into the fog with one of the most memorable exit lines in movie history: "Louis, I think this is the beginning of a beautiful friendship."

The Notebook

The movie starts off with an old man in a nursing home reading a story to an old woman each day. The story he reads is about two young lovers named Allie Hamilton and Noah Calhoun. They met one evening at a carnival many years ago. Although Allie refuses Noah's request to go on a date at first, she changes her mind after a double date with her friend. After that, they spent the whole summer together. Allie's parents disapproved of this and separate Noah and Allie because of Noah's lack of wealth. After waiting for Noah to write to her for several years, Allie meets and becomes engaged to a handsome young soldier named Lon.

Allie did not know that Noah had written 365 letters, one letter a day for a year. He stops writing after a year because he had never gotten a response. In a local newspaper years later, Noah's picture catches Allie's eye. He is standing in front of a fully restored, 200 year-old home. The article is filled with praise for his accomplishments. Allie's heart nearly bursts and she faints; the last time she saw the house it was rotted and decaying, and Noah spoke of his plans to buy and renovate the house.

With her love for Noah still alive, the picture pulls at her heart. She feels she must go back, see if Noah is okay, and tell him about her marriage. Noah seems distant when first seeing Allie. However, he invites her in after she mistakenly drives into his fence. Noah and Allie have lunch, visit and Noah walks her to her car later that evening. He asks her to come back the next morning, as he has something he wants to show her. Allie goes to her hotel, where she gets a phonecall from Lon. She tells Lon that she's tired, and will call him the next day. She goes back to Noah's house in the morning and he takes her out on the lake in a rowboat. Noah shows Allie a part of the lake, where hundreds of white ducks are gathered. It starts to rain heavily, and turns into an absolute downpour. They both wonder why each other ended the relationship and Allie says that she was never ready for the relationship to be over, to which Noah replies "It never was over for me, it still isn't over", Allie asks Noah why he never wrote to her. Noah tells Allie that he wrote 365 letters but she apparently had never received them, and he then kisses Allie passionately. He carries her into the house, where they make love for the first time. When Allie's mother comes to pick her up after a few days, she learns that her mother's true love is a lumberjack whom she visits to see and wonder what would've happened had she followed her heart. She then leaves Allie to decide who she would like to be with after giving her the letters that Noah sent. Allie is then faced with the decision of picking between her finance Lon, and her true love Noah.

In the end, she realizes that she needed Noah in her life. She returned to Noah and they lived a long, wonderful life together. Allie gets Alzheimer's and soon forgets all of her life with Noah. Noah reads from a notebook Allie had written about all that happened in their life together, and soon gets Allie to remember, despite what her doctors said. At night, Noah sneaks into Allie's room and they die together peacefully in their sleep.

Pretty Woman

Pretty Woman is a 1990 romantic comedy film. The film centers around the titular character, down-on-her-luck prostitute Vivian Ward (Julia Roberts) who is hired by a wealthy businessman and corporate raider, Edward Lewis (Richard Gere) to be his escort for several business functions, and their developing relationship.




Corporate raider Edward Lewis (Gere) is having trouble driving the Lotus Esprit he has borrowed and stops to ask for directions on Hollywood Boulevard. Vivian Ward (Roberts), a hooker with a heart of gold, thinks he is trying to find "a date" and walks over to his car. A lost Edward agrees to pay Vivian for directions. Rather than giving him the directions he wants, Vivian jumps in the car and offers to show him personally. On the way to the Beverly Wilshire Hotel (Beverly Hills), Vivian comments on his bad driving. Much to her surprise and delight, Edward asks her to drive the rest of the way. Despite the Lotus's famously stiff clutch, she demonstrates driving skill and takes him to his hotel without mishap. Vivian, who thinks she has charmed Edward, is at first rejected and says she will return to her corner by taxi. When Edward sees her a few minutes later waiting at the bus stop, he offers to hire her for an hour, which after some awkward conversation (on his part), becomes a night.

Edward explains his business to Vivian--he buys large companies, breaks them up and sells them in smaller parts for profit. Vivian compares it to a chop shop, where stolen cars are cut up for parts and usually sold for more than the whole car is worth. Edward acknowledges the validity of the comparison for the first time. He later reveals the origin of his business methods to Vivian: when he was a boy, his father divorced his mother to be with another woman, and emptied his wife's bank account as well as taking his own money. Consequently, his mother died of poverty, and Edward grew angry and bitter over time. He told Vivian that his father was the president of the third company he took over, broke up and sold off. His revenge was taken, but his appetite for more still lives on.

The next day, Edward's lawyer Phil calls Edward and tells him businessman James Morse and his grandson David wish to meet with him to discuss Edward's plans to buy their business. Edward decides to bring a date in order to keep the meeting social, and hires Vivian to spend the week with him, offering to pay her $3,000. He gives money for a dinner dress, but when she attempts to shop on Rodeo Dr., the saleswomen snub her and are rude to her (apparently because of her streetwalker's clothing). Vivian returns to the hotel distraught; Barnard, the manager of the hotel at first asks her to dress more appropriately, then after hearing her story, befriends her and directs her to a store where they help her buy a beautiful cocktail dress. He also gives her a lesson in using silverware and table manners, so that she will not be intimidated at the dinner with Edward.

That night, Vivian and Edward meet James and David Morse. During the meal, Vivian brings out the enlightened gentleman in the elderly Morse, but the business discussion with Edward grows colder and colder. Everything about James Morse shames Edward and exposes his lack of real quality in spite of his financial status. The Morses express their anger over Edward's impending takeover of their company and finally walk out of the restaurant.

The next morning, Vivian tells Edward "the saleswomen wouldn't help me, they were mean to me." Edward accompanies her for the first part of a shopping spree, culminating in her returning to the store who salesladies were rude to her at the end of her excursion to tell them what a huge mistake they made in not helping her, since they work on commission, and Vivian had obviously spent a very considerable amount of money. Vivian and Edward's business relationship quickly develops into friendship, and Edward and Vivian go on several dates and spend several evenings trading deep emotional insights they cannot share with anyone else. In an attempt to persuade Edward to abandon his self-discipline and understand "lower class" people she invites him to "veg out" in front of the TV. Despite her experience as a prostitute, Vivan finds herself falling in love with Edward.

Edward and Vivian attend a corporate polo match, where Vivian meets Phil and his wife Elizabeth. They also see David Morse, and Vivian has a friendly conversation with him about his polo horse. Curious to know more about Vivian, and suggesting she might be a spy for the Morses, Phil pesters Edward until he reveals that Vivian is actually a common prostitute he picked up the night he borrowed Phil's car. Greatly amused at this revelation, Phil approaches Vivian and suggests that he hire her as a whore after Edward is done with her. She is hurt at what she perceives as Edward's betrayal and cheap treatment of her. On the way back to the hotel she ignores him, and when she gets back to the penthouse she tells him she is upset with how he treated her at the match, revealing her "secret" to Phil. She then proceeds to tell Edward she's leaving and that she wants her money; he throws the money on the bed and walks away. She gathers her clothes and leaves, but doesn't take the money because of the callous way he threw it down. When he realizes she did not take his money, he goes after her. Vivian is waiting for the elevator when Edward comes out and apologizes. The elevator doors open after he apologizes and admits he was jealous to see her with David Morse at the Polo match. Vivian decides to stay. After the elevator doors shut, she informs Edward: "You hurt me; don't do it again."

An idyllic few days ensue, during which time Edward flies Vivian by private jet to San Francisco for a performance of Verdi's La Traviata. The opera (which is not named in the film) is the story of a Parisian courtesan who falls in love with a wealthy young man, paralleling the growing relationship between Edward and Vivian. The story makes a tremendous impression on Vivian, as Edward had predicted. For the occasion, Edward dresses Vivian in a skin-tight bright red haute couture gown, with a diamond necklace and earring set valued at $250,000 lent to him by a famous jeweler (FRED Paris Joaillier). That night after the opera Vivian wakes Edward with a kiss, symbolic of the change in the relationship of the pair (she had previously stated that she never kisses her clients as it is just "business").

As the week starts to end and Edward prepares to return to New York. Edward tells Vivian he wants to see her again and offers to supply her with an apartment, a car, and as much money as she needs, including credit cards so she can shop. Vivian refuses and says she wants the whole thing--commitment, or nothing at all. She describes a fantasy from her childhood--rescue from a tower by a knight on a white horse- "the fairy tale". Before he leaves he says, "I've never treated you like a prostitute." After he's gone, she whispers to herself, "You just did."

As the time draws near for Edward to finalize his buyout of Morse Industries, he loses his bitter lust for vengeance against his father, and decides to partner with Morse instead--to build warships, rather than breaking up a shipyard and selling it for scrap. Phil is shocked and upset to hear this, and goes to Edward's hotel to confront him. He finds Vivian alone in the penthouse, and after blaming her for Edward's backing out of the takeover, attempts to rape her. He slaps her and calls her a whore. Edward arrives and pulls Phil off Vivian; he punches Phil and kicks him out.

While easing each others injuries Vivian and Edward have conversation about what each other wants, and Vivian states she wants "the fairy tale." Edward says he's not capable of offering that. He asks Vivian to stay the night, not because he's paying her but because she wants to, but she declines the offer. Vivian leaves, but first says good-bye to Barnard and thanks him for his kindness.

The next day, Edward checks out of the hotel. Barnard notices his pensiveness and remarks how difficult it must be to give up something so beautiful, supposedly referring to the diamond necklace. He also notes that Darryl, Edward's usual driver, had dropped Vivian off at her apartment the day before. Edward asks Darryl to drive him to Vivian's apartment in a white limousine; he arrives as Vivian is packing to move to San Francisco. Edward has flowers, and opera music is blaring from the car. Although nervous, Edward controls his fear of heights and climbs the fire escape to Vivian's apartment. Vivian meets him on the landing, and he asks what happens in her fantasy after the knight on the white horse rescues her. "She rescues him right back", says Vivian, and they kiss warmly. They apparently live happily ever after, in modern day terms.